<?xml version="1.0" encoding="UTF-8"?><evriThing version="1.0" status="OK" requestedUrl="/v1/entities"><messages><message code="0">More information on the Evri API can be found at: http://www.evri.com/developer/index.html. By using or accessing the Evri API, you are agreeing to be bound by our Terms of Use which are specified at: http://www.evri.com/developer/tos.html</message></messages><entityList totalResults="695" currentResult="0"><entity score="1.0" id="926584" href="/product/man-in-the-box-0xe2378"><facets><facet count="0"><name>Song</name></facet></facets><name>Man in the Box</name><properties><property><name>wikipedia_paragraph</name><value>&quot;Man in the Box&quot; is a single by the grunge group Alice in Chains. It was released in 1991 and featured on their debut full-length album Facelift. In the liner notes of 1999's Music Bank box set collection, Jerry Cantrell said of the song, &quot;That whole beat and grind of that is when we started to find ourselves; it helped Alice become what it was.&quot; The song makes use of a talk box to create the guitar effect.

The song was #19 on VH1's 40 Greatest Metal Songs and its solo was rated 77th greatest guitar solo by Guitar World. It is widely considered to be one of the band's signature songs, even though it only peaked at #18 on the mainstream rock charts at the time of its release. The MTV music video for the track was directed by Paul Rachman who also directed the 2006 feature documentary American Hardcore.

&quot;Man in the Box&quot; has been featured in several movies, including The Perfect Storm. The song was also used in several versions of trailers for the 2004 movie Collateral (though it was not included on the movie's soundtrack), as professional wrestler Tommy Dreamer's theme song and in Jerry Bruckheimer's television series Cold Case. It has also been used for hockey games when a penalty is called on the away team, and the skater must go to the penalty box. Richard Cheese and Lounge Against the Machine turned this song into a Lounge style on their 2005 album &quot;Aperitif for Destruction&quot;.

In a recorded interview with Fuse TV Layne Staley himself states that the lyrics are about censorship in the mass media, and &quot;I was really stoned when I wrote it.&quot; The original Facelift track listing credited only Staley and Jerry Cantrell with writing the song. All post-Facelift compilations credited the entire band. It is unclear as to why the songwriter credits were corrected.</value></property><property><name>genre</name><value>Heavy metal</value></property><property><name>genre</name><value>Grunge</value></property></properties><type>PRODUCT</type></entity><entity score="0.8276473" id="862112" href="/product/enter-sandman-0xd27a0"><facets><facet count="0"><name>Song</name></facet></facets><name>Enter Sandman</name><properties><property><name>wikipedia_paragraph</name><value>&quot;Enter Sandman&quot; is a song by American heavy metal band Metallica, featured as the opening track and lead single from their eponymous 1991 album. The song was produced by Bob Rock, and the music was written by Kirk Hammett, Lars Ulrich, and James Hetfield. Vocalist and guitarist Hetfield wrote the lyrics, which deal with nightmares.

The single achieved gold certification for more than 500,000 copies shipped in the United States, spurring sales of over 15 million copies for Metallica and propelling Metallica to worldwide popularity. Acclaimed by critics, the song is featured in all of Metallica's live albums and DVDs released after 1991 and has been played live at award ceremonies and benefit concerts.</value></property><property><name>genre</name><value>Heavy metal</value></property></properties><type>PRODUCT</type></entity><entity score="0.5752869" id="802240" href="/product/smells-like-teen-spirit-0xc3dc0"><facets><facet count="0"><name>Song</name></facet></facets><name>Smells Like Teen Spirit</name><properties><property><name>wikipedia_paragraph</name><value>&quot;Smells Like Teen Spirit&quot; is a song by the American rock band Nirvana. It is the opening track and lead single from the band's 1991 breakthrough album Nevermind. Written by Kurt Cobain, Krist Novoselic, and Dave Grohl and produced by Butch Vig, the song uses a verse-chorus form where the main four-chord riff is used during the intro and chorus to create an alternating loud and quiet dynamic.

The unexpected success of &quot;Smells Like Teen Spirit&quot; propelled Nevermind to the top of the charts at the start of 1992, often marked as the point where alternative rock entered the mainstream. &quot;Smells Like Teen Spirit&quot; was Nirvana's first and biggest hit, reaching number six on the Billboard Hot 100 and placing high on music industry charts all around the world in 1991 and 1992.

&quot;Smells Like Teen Spirit&quot; received many critical plaudits, including topping the Village Voice Pazz &amp; Jop critics' poll and winning two MTV Video Music Awards for its music video, which was in heavy rotation on music television. The song was dubbed an &quot;anthem for apathetic kids&quot; of Generation X, but the band grew uncomfortable with the success and attention it received as a result. In the years since Nirvana's breakup, listeners and critics have continued to praise &quot;Smells Like Teen Spirit&quot; as one of the greatest rock songs of all time.</value></property><property><name>genre</name><value>Grunge</value></property></properties><type>PRODUCT</type></entity><entity score="0.5752869" id="1001719" href="/product/black-hole-sun-0xf48f7"><facets><facet count="0"><name>Song</name></facet></facets><name>Black Hole Sun</name><properties><property><name>wikipedia_paragraph</name><value>&quot;Black Hole Sun&quot; is a song by the American rock band Soundgarden, released in 1994 as the third single from the band's fourth studio album, Superunknown (1994). It is arguably the band's most recognizable and most popular song. The song topped the Billboard Mainstream Rock Tracks chart. It would later appear on the band's greatest hits album A-Sides and the 2007 Chris Cornell compilation The Roads We Choose - A Retrospective.</value></property><property><name>genre</name><value>Grunge</value></property></properties><type>PRODUCT</type></entity><entity score="0.524031" id="886964" href="/product/helter-skelter-0xd88b4"><facets><facet count="0"><name>Song</name></facet></facets><name>Helter Skelter</name><properties><property><name>wikipedia_paragraph</name><value>&quot;Helter Skelter&quot; is a song written by Paul McCartney, credited to Lennon/McCartney, and recorded by The Beatles on The White Album. A product of McCartney's deliberate effort to create a sound as loud and dirty as possible, the clangorous piece has been noted for both its &quot;proto-metal roar&quot; and &quot;unique textures.&quot; It was one of several White Album compositions interpreted by Charles Manson as coded prophecies of a war to arise from racial tensions between blacks and whites.</value></property><property><name>genre</name><value>Hard rock, heavy metal</value></property></properties><type>PRODUCT</type></entity><entity score="0.48937875" id="954309" href="/product/orgasm-0xe8fc5"><facets><facet count="0"><name>Song</name></facet></facets><name>Orgasm</name><properties><property><name>wikipedia_paragraph</name><value>&quot;Orgasm&quot; is a single released by X Japan on April 1, 1986. The title track as well as &quot;X&quot; would later be re-recorded for the band's second album Blue Blood. The track is notroriously known for the obvious sexual themes presented within the lyrics. Of particular notice is the fact that the track premiers with heavy female panting and ends with explosions, seemingly to emulate sexual climax.'.</value></property><property><name>genre</name><value>Heavy metal, speed metal</value></property></properties><type>PRODUCT</type></entity><entity score="0.48085707" id="864398" href="/product/even-flow-0xd308e"><facets><facet count="0"><name>Song</name></facet></facets><name>Even Flow</name><properties><property><name>wikipedia_paragraph</name><value>&quot;Even Flow&quot; is a song by the American rock band Pearl Jam. Featuring lyrics written by vocalist Eddie Vedder and music written by guitarist Stone Gossard, &quot;Even Flow&quot; was released in 1992 as the second single from the band's debut album, Ten (1991). The song peaked at number three on the Billboard Mainstream Rock Tracks chart. The song was included on Pearl Jam's 2004 greatest hits album, rearviewmirror (Greatest Hits 1991–2003). A remixed version of the song was included on the 2009 Ten reissue.</value></property><property><name>genre</name><value>Grunge</value></property></properties><type>PRODUCT</type></entity><entity score="0.48085707" id="948256" href="/product/no-excuses-0xe7820"><facets><facet count="0"><name>Song</name></facet></facets><name>No Excuses</name><properties><property><name>wikipedia_paragraph</name><value>&quot;No Excuses&quot; is the second single from Alice in Chains' 1994 EP Jar of Flies. The song's sound (and that of the entire EP) is a departure from some of the band's better-known, heavier work. Jerry Cantrell's subtle guitar riffs built around 
suspended chords--as well as Sean Kinney's soft, syncopated drumming--help lend an unusually airy feel to the song. &quot;No Excuses&quot; found moderate airplay on alternative rock radio and is considered a grunge staple. It was written by Jerry Cantrell about his unstable relationship with band vocalist Layne Staley.

Although Alice in Chains fared well on mainstream rock radio, &quot;No Excuses&quot; is the only Alice in Chains Top 50 song and their only song to hit #1 on the mainstream tracks chart. The video features actor Max Perlich. ==Track listing==

# &quot;No Excuses&quot; (4:15)
# &quot;Brother&quot; (4:27)</value></property><property><name>genre</name><value>Grunge</value></property></properties><type>PRODUCT</type></entity><entity score="0.48085707" id="985268" href="/product/alive-0xf08b4"><facets><facet count="0"><name>Song</name></facet></facets><name>Alive</name><properties><property><name>wikipedia_paragraph</name><value>&quot;Alive&quot; is a song by the American rock band Pearl Jam. &quot;Alive&quot; was Pearl Jam's first single, and appeared on the band's debut album Ten (1991). Written by guitarist Stone Gossard, &quot;Alive&quot; originated as an instrumental titled &quot;Dollar Short&quot; and was included on a demo tape circulated in hopes of finding a singer for the group. Singer Eddie Vedder obtained a copy of the tape and wrote lyrics that describe a fictionalized account of the time when he was told that the man he thought was his father was not actually his biological parent.

&quot;Alive&quot; charted at number 16 in the UK (the single was available only through import in the US). A remixed version of the song was included on Pearl Jam's greatest hits album, rearviewmirror: Greatest Hits 1991–2003. Although it was not a huge hit upon its release (peaking at number 16 on the Billboard Mainstream Rock Tracks chart), it has endured as a fan favorite and a staple of rock radio since then, as well as one of the most requested songs at the band's concerts.</value></property><property><name>genre</name><value>Grunge</value></property></properties><type>PRODUCT</type></entity><entity score="0.45041338" id="886809" href="/product/hells-bells-0xd8819"><facets><facet count="0"><name>Song</name></facet></facets><name>Hells Bells</name><properties><property><name>wikipedia_paragraph</name><value>&quot;Hells Bells&quot; is the first track of the album Back in Black of Australian hard rock band AC/DC. It is to this day one of their best known songs, being the first on their comeback album after the death of the iconic vocalist Bon Scott, introducing his replacement Brian Johnson to a worldwide fanbase for the first time.

The song starts off with the ominous slow tolling of a bell 4 times and an intro. After that, it goes for another 9 times. Eventually the bassist Cliff Williams and the drummer Phil Rudd start playing. The lyrics, sung by Brian Johnson, explain how the narrator will attack, comparing his actions with natural phenomena such as rain, thunders and hurricanes. The song invokes the feeling that the narrator has been sent to drag a soul into Hell. The lines &quot;I got my bell/I'm gonna take you to hell,&quot; among others, appear to support this.

This song appears on the Maximum Overdrive soundtrack, Who Made Who, and both versions of the 1992 live album AC/DC Live. The song is also featured in the movie The Fast and the Furious: Tokyo Drift where the main riff is used when the main character is at the airport. This song is also played during the recap of the Season 3 premiere episode of the television series Supernatural.

The song was written to commemorate the death of AC/DC's lead singer Bon Scott. He was found dead in his car following a night of binge drinking.

The song is used frequently in stadiums; The New York Giants football team uses this song at the start of their games, leading up to the opening kickoff. The Ohio State Buckeyes football team also uses the beginning of the song during third downs, as well as timeouts. It is also well-known by baseball fans as the entrance music for San Diego Padres closer Trevor Hoffman.</value></property><property><name>genre</name><value>Hard rock, Heavy metal</value></property></properties><type>PRODUCT</type></entity></entityList></evriThing>